Vusamazulu Credo Mutwa is a Zulu sangoma (traditional healer). He is known as an author of books on stories mixing traditional Zulu folklore, extraterrestrial encounters and his own personally created fables. His most recent work is a graphic novel called the Tree of Life Trilogy based on his writings of his most famous book, Indaba my Children.
Credo calls himself a sanusi (common spelling isanuse) which is a type of Zulu diviner or sangoma. The term stems from a more historic time and is not widely used today, even in a traditional setting.
His father was a widower with three surviving children when he met his mother. His father was a builder and a Christian and his mother was a young Zulu girl. Caught between Catholic missionaries on one hand, and a stubborn old Zulu warrior, Credo Mutwa’s maternal grandfather, his parents had no choice but to separate. Credo was born out of wedlock, which caused a great scandal in the village and his mother was thrown out by her father. Later he was taken in by one of his aunts.
Raised by his father’s brother he was taken to the South Coast of Natal (present day KwaZulu-Natal), near the northern bank of the Mkomazi River. He did not attend school until he was 14 years old. In 1935 his father found a building job in the old Transvaal province and the whole family relocated to where he was building.
After falling severely ill, he was taken back to KwaZulu-Natal by his uncle. Where Christian doctors had failed, his grandfather, a man whom his father despised as a heathen and demon worshipper, helped him back to health. At this point Credo began to question many of the things about his people the missionaries would have them believe. “Were we Africans really a race of primitives who possessed no knowledge at all before the white man came to Africa?” he asked himself. His grandfather instilled in him the belief that his illness was a sacred calling that he was to become a sangoma, a healer. He underwent thwasa (sangoma training and initiation) with his grandfather and mother’s sister, a young sangoma named Mynah.
In 1974, Credo obtained a piece of land on the Oppenheimer gardens in Soweto in order to create an African cultural village. He created many sculptures and populated the village with huts and symbols that he claimed was secret African mythology. The village was primary designed for tourism to promote African culture and was generally ignored by the Sowetan locals, partly due to the unfamiliarity of the mythology that was being represented.
Credo believed that the great unrest in Johannesburg and the popularization of communism in the black struggle drew Africans away from their traditional roots. Unlike most political activists, he actually supported a separation between white and black in order to preserve black traditional tribal customs and way of life. In 1976, students partially burnt down the cultural village after he was misquoted on Afrikaans radio, as they saw the village promoting tribalism and separate development. Parts of the village was burnt again in the mid 80’s during a strike against the West Rand city council.
Sculpture of King Khandakhulu discussing his sexually transmitted infection with his gods
Following the murder of his son by black political activists and the second burning of his village, Credo moved away from Soweto and developed a cultural tourist village in Lotlamoreng, Mahikeng, (known at that time as Bophuthatswana). Here he supervised the building of small cultural villages, each representing the traditional cultures of the main South African tribal peoples.
The Kwa-Khaya Lendaba cultural village in Soweto is currently being restored and is still open to the public free of charge. Tour guides are available from the caretaker of the village.
Although many of the sculptures at Kwa-Khaya Lendaba were unfamiliar to the Africans they were meant to represent, a number of them have been said to be prophetic in nature. Most notably, were claims of predicting the coming of HIV/AIDS to South Africa. This was seen in his fictional sculptures of King Khandakhulu, who had 200 wives. He couldn’t satisfy them all sexually, and so they went out and satisfied themselves elsewhere, which led to them all contracting incurable sexually transmitted infections. The sores on King Khandakhulu’s penis resemble the AIDS ribbon. These sculpture were created in 1979, 3 years before scientists uncovered the human immunodeficiency virus. Claims of his other predictions include the destruction of World Trade Centres in the September 11 attacks, Chris Hani’s assassination and the ousting of president Thabo Mbeki, among others.
Credo has been an active and vocal advocate in the use of traditional African medicines for the treatment of HIV/AIDS, cancer and tuberculosis. He created a trust called the Vulinda Trust in 1999 to preserve traditional knowledge and to promote the use of these traditional medicines. The primary focus of his research has been on a South African plant called unwele in Zulu (Sutherlandia frutescens). Unwele is traditionally used as a well being tonic, however has demonstrated anticancer activity through in vitro studies. Research of the efficacy of Sutherlandia frutescens in the treatment of HIV/AIDS is ongoing and phase trials are being conducted at the South African Herbal Science and Medicine Institute (SAHSMI
Department of Sports, Arts and Culture in collaboration with its Provincial and National offices intends to upgrade security to the homestead belonging to Baba Credo Mutwa.
Baba Credo Mutwa was proclaimed amongst others to be one of the living human treasurer legends by Minister of Arts and Culture, Minister Nathi Mthethwa. During one of the consultation, a concern regarding issues of security to the living human treasurer legends was raised and our department committed to intervene on security matters.